Part VII: Time Warp 2000’s – Cut! #7 (Chapter 109)


D
earest George,

I want to hear from you.

Perhaps if I tell you more about myself, you’ll answer my letters.

As a hobby, I paint Jungian portraits of my life.

If I tried to explain what I mean, you wouldn’t understand, but if I sent you a photo of my work, you might.

Maybe some day.

Right now, I’m into painting self portraits in variations of Prussian Blue. Shel says my work is obsessive, that I’m cheapening its value. The thing is, my portraits don’t look like me they’re all abstract. Twisted geometric motifs with deep shadows and contrasting lights. And all different.



No circles, though

Too much roundness in my real life. You can’t even tell there’s a human being in my work.

Maybe that’s the point.

To help supplement the budget, I teach beginning psychology classes part time at the community college, twilight classes, 5:00-6:30; I spend about two hours finding significant things to say about Freud, Jung, Adler, Horney.

Thinking up new ways to present old material takes a lot of effort, and some days I don’t even bother: I’ll just run to Audio-Visuals, round up a videotape usually an old, hoary psych film in which all the players, all anorectic and pale, have long, stringy hair and bushy sideburns. Bell bottoms and Day-Glo shirts. Likely, it’s some behaviorist thing featuring B.F. Skinner training mice, using operant conditioning to get them to perform unnatural tricks. Like pushing buttons for food or running for their lives through tortuous mazes that would stymie even the most brilliant Ph.D.

Better yet, my bored students like that Freud film where the “id,” dressed in a leotard devil suit, dances around the “superego” (in white, of course), chanting,

“I want, I want, I want....”



*

January 1, 2001

Bing!

Midnight.

Finally, 2001.

I wanna forget.

Cinder, tinder, spinster, twinster…

Double, Double toil and trouble.

I do’n wanna to go home.

A swirling room.

My kaleidoscope spills bloodstone tidings. I’ll paint my song all over this place!



“Minnie the Mermaid” rising from my gut.

Looking down from a tabletop, feet tapping.

Miming The Village People’s “Y.M.C.A.”

Shimmy, shimmy.

Frills from a shawl, draped over my shoulders.

A shawl I don’t recognize, shaking back and forth.

A cauldron of rum, whiskey, champagne, and fried holiday hors d’oeuvres churning.

Rushing to Nicole’s bathroom.

Head over toilet.

Ughhhhhhhh!

Impressionistic moments splattered on canvas.

Sheldon hoisting me to my feet, nudging me toward the car.

Lights like pinwheels and flashing stars.



Hanging my head out the car window.

Ughhhhhhhh! Gut imploding.

Car coming to a stop.

Home.

Through the door.

Hurry, hurry…bathroom.

Ughhhhhhh!

Clothes off, warm water spraying all over…

Shaking body.

Flannel nightgown.

Warm between the sheets.

I want elixir…sleep.

I want anesthesia...

I want amnesia.


Copyright Notice

Unless otherwise specified, all works posted on The Fat Lady Sings are © 1991 - present, by Jennifer Semple Siegel, the author, webmaster, and owner of TheFatLadySings.comMost of the art artwork has been AI generated specifically for The Fat Lady Sings. Occasionally, combinations (layering) of two or more AI generations have been created for special effects. The prompts used for AI are generic and avoid referring to specific artists, dead or alive. Her works may not be reprinted or reposted without her express permission.

Privacy Notice

Although TheFatLadySings.com does not use third-party ads, this privacy notice is included so that visitors can make informed decisions regarding their internet privacy. Third-party advertisers serve ads when you visit some websites, and these companies may use information (not including your name, address, email address, or telephone number) about your visits to this and other websites in order to provide advertisements about goods and services of interest to you. If you would like more information about this practice and to know your choices about not having such information used by these companies, click here.